The Philadelphia Times - Thursday, April 4, 1895
This report was originally published in English. Machine translations may be available in other languages.
OSCAR WILDE'S
SUIT FOR LIBEL.
THE MARQUIS OF QUEENSBERRY ON
TRIAL AT THE OLD BAILEY.
OSCAR ON
THE WITNESS STAND
Crowds Throng London's Famous Criminal
Court and Listen to the Testimony in a
Sensational Case--Sir Edward Clarke
Opens
for the Prosecution and Mr. Wilde Denies
the Charges Made Against Him by the Marquis,
and Which Form the Basis of the Suit.
LONDON, April 3.
Every available inch of the Old Bailey was occupied this morning when the Marquis of Queensberry surrendered to bail and the libel suit brought against him by Oscar Wilde was opened before Justice Collins. Oscar Wilde charges the Marquis of Queensberry with libel by leaving, on February 28 last, an uncovered card at the Albemarle Club, on which card were written certain foul epithets. As a result Mr. Wilde on March 2 caused the arrest of the Marquis of Queensberry, and the latter, at the Marlborough Street Police Court, was placed under £1,500 bail.
LONDON, April 3. -- Every available inch of the Old Bailey was occupied this morning when the Marquis of Queensberry surrendered to bail, and the libel suit brought against him by Oscar Wilde was opened before Justice Collins. Oscar Wilde charges the Marquis of Queensberry with libel by leaving, in February last, an uncovered card at the Albemarle Club, on which card were written certain foul epithets. As a result Mr. Wilde on March 2 caused the arrest of the Marquis of Queensberry, and the latter, at the Marlborough Street Police Court, was placed under £1,500 bail.
LONDON, April 3. -- Every available inch of the Old Bailey was occupied this morning when the Marquis of Queensberry surrendered to bail, and the libel suit brought against him by Oscar Wilde was opened before Justice Collins. Oscar Wilde charges the Marquis of Queensberry with libel, by leaving, on February 28 last, an uncovered card at the Albemarle Club, on which card was written certain epithets. As a result Mr. Wilde on March 2 caused the arrest of the Marquis of Queensberry, and the latter, at the Marlborough Street Police Court, was placed under £1,500 bail.
LONDON, April 3. - Every available inch of the Old Bailey was occupied this morning when the Marquis surrendered to bail and the libel suit brought against him by Oscar Wilde was opened before Justice Collins. Oscar Wilde charges the Marquis of Queensberry with libel by leaving on February 28 an uncovered card at the Albemarle Club, on which were written certain foul epithets. As a result, Mr. Wilde, on March 2, caused the arrest of the Marquis of Queensberry and the latter, at Marlborough Street Police Court, was placed under £1500 bail.
Every available inch in Old Bailey was occupied this morning when the hearing of the libel suit brought against the Marquis of Queensberry by Oscar Wilde was opened before Justice Collins. Wilde charges the Marquis with leaving, on February 28th, an uncovered card at the Albemarle Club, on which were written certain foul epithets. As a result Wilde, on March 2nd, caused the arrest of the Marquis, and the latter at the Marlborough Street Police Court was placed under £1,500 bail.
London, April 3 — Every available inch of the Old Bailey was occupied this morning, when the Marquis of Queensberry surrendered to bail and the libel suit brought against him by Oscar Wilde was opened before Justice Collins. Oscar Wilde charges the Marquis of Queensberry with libel by leaving on February 28 last na uncovered card at the Albemarle Club, on which card were written certain foul epithets. As a result Mr. Wilde on March 2 caused the arrest of the Marquis of Queensberry, and the latter at the Marlborough Street Police Court was placed under £1500 bail. The aisles of the old court-room were crowded with lawyers. Admission was obtained by ticket only. There was a pile of applications a foot high from many well-known persons.
LONDON, April 3. -- Every available inch in Old Bailey was occupied this morning when the hearing of the libel suit brought against the Marquis of Queensberry by Oscar Wilde was opened before Justice Collins. Wilde charges the Marquis with leaving, on February 28th, an uncovered card at the Albemarle Club, on which was written certain foul epithets. As a result Wilde, on March 2d, caused the arrest of the Marquis, and the latter at the Marlborough-street Police Court was placed under £1500 bail.
Every available inch of the Old Bailey was occupied on April 3rd, when the hearing of the libel suit brought against the Marquis of Queensbury by Oscar Wilde was opened before Justice Collins. Wilde charged the Marquis with leaving, on February 28th, an uncovered letter at the Albemarle Club, on which was written certain foul epithets. As a result Wilde, on March 2, caused the arrest of the Marquis, and the latter, at Marlborough street police court, was placed under £1,500 bail.
LONDON, ENG., April 3. -- Every available inch of the Old Bailey was occupied this morning when the hearing of the libel suit brought against the Marquis of Queensberry by Oscar Wilde was opened before Justice Collins. Wilde charges the Marquis with leaving on February 28 an uncovered card at the Albemarle Club, on which was written certain foul epithets. As a result Wilde, on March 2, caused the arrest of the Marquis, and the latter, at Marlborough-street police court, was placed under £1500 bail.
London, April 3. -- Every available inch of the Old Bailey was occupied this morning when the hearing of the libel suit, brought against the marquis of Queensberry by Oscar Wilde, was opened before Jutice Collins. Wilde charges the marquis with leaving, February 23, an uncovered card at the Albemarle club on which was written certain foul epithets. As a result Wilde, on March 2, caused the arrest of the marquis, and later, at Marlborough street police court, he was placed under £1,500 bail.
London, April 3. -- Every available inch of the Old Bailey was occupied this morning when the marquis of Quuensberry surrendered to bail and the libel suit brought against him by Oscar Wilde was opened before Justice Collins. Oscar Wilde charges the marpuis with libel by leaving on Feb. 28, last, an uncovered card at the Albemarle club on which card was written cartain foul epithets. The marquis who wore a shabby overcoat, was placed in the dock and answered to the indictment by pleading, first, not guilty, and secondly, that the libel was true and that it was published for the public good.
London, April 3. -- Every available inch of the Old Bailey was occupied this morning when the marquis of Quuensberry surrendered to bail and the libel suit brought against him by Oscar Wilde was opened before Justice Collins. Oscar Wilde charges the marpuis with libel by leaving on Feb. 28, last, an uncovered card at the Albemarle club on which card was written cartain foul epithets. The marquis who wore a shabby overcoat, was placed in the dock and answered to the indictment by pleading, first, not guilty, and secondly, that the libel was true and that it was published for the public good.
London, April 3. - Every available inch of the Old Bailey was occupied this morning when the Marquis of Queensberry surrendered to bail and the libel suit brought against him by Oscar Wilde was opened before Justice Collins. Oscar Wilde charges the Marquis of Queensberry with libel by leaving Feb. 28 an uncovered card at the Albermarle club, on which were written certain foul epithets. As a result Mr. Wilde March 2 caused the arrest of the Marquis of Queensberry, and the latter, at the Marlborough Street Police Court, was placed under £1,500 ($7,500) bail. The Marquis answered to the indictment by pleading, first, not guilty, and, secondly, that the libel was true, and that it was the published for the public good. The Marquis seemed unconcerned, and replying to the questions put to him he spoke quietly and clearly.
Oscar Wilde charges the marquis of Queensberry of libel by leaving, on February 28 last, an uncovered card at the Albemarle club, on which card were written certain foul epithets. As a result Mr. Wilde, on March 2, caused the arrest of the marquis of Queensberry, and the latter, at the Market street police court, was placed under £1500 bail.
Justice Collins took his seat on the bench promptly at 10.30 and the case was called. The prosecution was conducted by Sir Edward Clarke, Q. C., M. P., and the Marquis of Queensberry was defended by Mr. Edward H. Carson, Q. C., M. P. Lawyer Besley watched the proceedings on behalf of Lord Alfred Douglas, of Hawick. Oscar Wilde, wearing a light blue overcoat, entered in company with his solicitor, Mr. Humphreys. He resolutely maintained an air of unconcern, despite the fact that everyone was staring at him, and took a seat in front of Sir Edward Clarke. The Marquis of Queensberry entered the dock and, in answer to the usual questions, pleaded not guilty, added that the so-called libel was true and had been made known in the interest of public morality.
LONDON April 3. - Central Criminal Court, Old Bailey, was densely packed with people long before the hour of opening at 10:30 A.M. today, the attraction being the trial of the action of Oscar Wilde against the Marquis of Queensberry for libel. The prosecution was conducted by Sir Edward Clarke, Q.C., M.P., and the Marquis of Queensberry was defended by Mr Edward H. Carson, Q.C., M.P. Lawyer Besley watched the proceedings on behalf of Lord Douglas of Hawick. Oscar Wilde, wearing a light blue overcoat entered the court room in company with his solicitor, Mr. Humphreys. He maintained an air of unconcern, despite the fact that everybody was staring at him, and took a seat in front of Sir Edward Clarke. The Marquis of Queensberry entered the dock, and, in answer to the usual questions, pleaded not guilty, adding that the so-called libel was true, and had been made known in the interest of public morality.
LONDON, April 3.-- The Central Criminal court, Old Bailey, was densely packed with people long before the hour of opening. 10.30 a.m., to-day, the attraction being the trial of the action of Oscar Wilde against the Marquis of Queensberry for libel. Justice Collins took his seat on the Bench at 10.30, and the case was called. The prosecution was conducted by Sir Edward Clarke, Q.C., M.P., and the Marquis of Queensberry was defended by Edward II. Carson, Q.C., M.P. Lawyer Besley watched the proceedings on behalf of Lord Douglas, of Hawick. Oscar Wilde, wearing a light blue overcoat, entered the court room with his solicitor, Mr. Humphreys. He resolutely maintained an air of unconcern, despite the fact that everybody was staring at him, and took a seat in front of Sir Edward Clarke. The Marquis of Queensberry entered the dock, and, in answer to the usual questions, pleaded not guilty, adding that the so-called libel was true, and had been made known in the interest of public morality.
CLARKE OPENS THE CASE.
Sir Edward Clarke, formerly Solicitor General, in opening the case, said that the card left at the Albemarle Club for Mr. Wilde was one of the visiting cards of the Marquis of Queensberry, and it was upon this that the libel was written. Continuing, counsel said that the gravest issues had been raised, as the defendant, in his pleadings, alleged that the plaintiff had for some time solicited persons named to commit indecent offenses.
Sir Edward Clarke, formerly Solicitor General, in opening the case, said that the card left at the Albemarle Club for Mr. Wilde was one of the visiting cards of the Marquis of Queensberry, and it was upon this that the libel was written. Continuing, counsel said that the gravest issues had been raised, as the defendant, in his pleadings, alleged that the plaintiff had for some time solicited persons named to commit indecent offenses.
Sir Edward Clarke, formerly Solicitor-General, in opening the case said that the card left at the Albemarle Club for Mr. Wilde was one of the visiting cards of the Marquis of Queensberry, and it was upon this that the libel was written. Continuing, counsel said that the gravest issues had been raised, as the defendant, in his pleadings, alleged that the plaintiff had for some time solicited persons named to commit indecent offenses.
Sir Edward Clark, formerly solicitor general, in opening the case, said that the card left at the Albemarle club for Mr. Wilde was one of the visiting cards of the marquis of Queensberry, and it was upon this that the libel was written. Continuing, counsel said that the gravest issues had been raised, as the defendant in his pleadings alleged that the plaintiff had for some time solicited persons named to commit indecent offenses. Certain letters addressed by the plaintiff to Lord Alfred Douglass, second son of the marquis of Queensberry, were brought to the plaintiff by a man who said he was in distress and Wilde gave him £20 with which to pay his passage to America.
Sir Edward Clarke, former solicitor general, in opening the case, said that the card left at the Albemarle club for Mr. Wilde was one of the visiting cards of the Marquis of Queensberry and it was upon this that the libel was written. Continuing, counsel said that the gravest issues had been raised to letters addressed by the plaintiff to Lord Alfred Douglas, second son of the Marquis of Queensberry, were brought to the plaintiff by a man who said he was in distress and Mr. Wilde gave him £20 with which to pay his passage to America. Another letter was handed to Mr. Beerbohm Tree, the actor, who gave it to the plaintiff.
Sir Edward, continuing, said that Mr. Wilde had been a close friend of the Queensberry family until 1890, when he learned that offensive statements were being made against him by a man named Wood, who had either stolen or found some letters written by Mr. Wilde to Lord Alfred Douglas. Wood offered to return these letters for money, and afterwards, at Wood's earnest entreaty, Mr. Wilde paid his fare to America. Later, Mr. Wilde learned that two men named Knebly and Allen pretended to have in their possession compromising letters, but Mr. Wilde refused to purchase them. Mr. Wilde, he said, admitted having written in 1893 a most extravagant letter to Lord Alfred Douglas in answer to a poem the latter had written. Despite the sentiments expressed in this letter the jury must take into consideration the artistic circle in which Mr. Wilde moved. Mr. Wilde himself described this letter as a "prose sonnet." In 1893, Sir Edward said, the Marquis of Queensberry openly libelled Mr. Wilde in the latter's own house and was shown the door in the presence of the servants and refused further admittance. The annoyance was aggravated by the behavior of the Marquis of Queensberry on the first night of the production of any of Mr. Wilde's plays.
Sir Edward continuing, said that Mr. Wilde had been a close friend of the Queensberry family until 1890, when be learned that offensive statements were being made against him by a man named Wood, who had either stolen or found some letters written by Mr. Wilda to Lord Alfred Douglas. Wood offered to return these letters for money, and afterwards, at Wood's earnest entreaty, Mr. Wilde paid his fare to America. Later Mr. Wilde learned that two men named Knebley and Allen pretended to have in their possession compromising letters, but Mr. Wilde refused to purchase them. Mr. Wilde, he said, admitted having written in 1893 a most extravagant letter to Lord Alfred Donglas, in answer to a poem the latter had written. Despite the sentiments expressed ia this letter, the jury must take into consideration the artistic circle in which Mr. Wilde moved. Mr. Wilde himself described this letter as a "prose sonnet." In 1893, Sir Edward said, the Marquis of Queensberry openly libelled Mr. Wilde in the latter's own house and was shown the door in the presence of the servants and refused further admittance. The annoyance was aggravated by the behavior of the Marquis on the first night of the production of any of Mr. Wilde's plays.
Sir Edward, continuing, said that Mr. Wlide had been a close friend of the Queensberry family until 1890, when he learned that offensive statements were being made against him by a man named Wood, who had either stolen or found some letters written by Mr. Wilde to Lord Alfred Douglas. Wood offered to return these letters for money, and afterwards at Wood's earnest entreaty Mr. Wilde paid his fare to America. Later, Mr. Wilde learned that two men named Knebley and Allen, pretended to have in their possession compromising letters, but Mr. Wilde refused to purchase them. Mr. Wlide, he said, admitted having written in 1893 a most extravagant letter to Lord Albert Douglas, in answer to a poem the latter had written. Despite the sentiments expressed in this letter, the jury must take into consideration the artistic circle in which Mr. Wilde moved. Mr. Wilde himself described this letter as a "prose sonnet." In 1893, Sir. Edward said the Marquis of Queennberry openly libelled Mr. Wilde in the latter's own house, and was shown the door in the presence of the servants and refused further admittance. The annoyance was aggravated by the behavior of the Marquis on the first night of the production of any of Mr. Wilde's plays.
Sir Edward continuing, said that Mr. Wilde had been a close friend of the Queensberry family until 1890, when he learned that offensive statements were being made against him by a man named Wood, who had either stolen or found some letters written by Mr. Wilde to Lord Douglas. Wood offered to return these letters for money and afterwards, at Mr. Wood’s earnest entreaty, Mr. Wilde paid his fare to America. Later, Mr. Wilde learned that two men named Knihby and Allen pretended to have in their possession compromising letters, but Mr. Wilde refused to purchase them. Mr. Wilde, he said, admitted having written in 1893 a most extravagant letter to Lord Alfred Douglas, in answer to a poem the latter had written. Despite the sentiments expressed in the letter, the jury must take into consideration the artistic circle in which Mr. Wilde moved. Mr. Wilde himself described this letter as a « prose sonnet. » In 1893, Sid Edward said, the Marquis of Queensberry openly libeled Mr. Wilde in the latter’s own house and was shown the door in the presence of the servants and refused further admittance. The annoyance was aggravated by the behavior of the Marquis on the first night of the production of any of Mr. Wilde’s pays.
Sir Edward, continuing, said that Mr. Wilde had been a close friend of the Queensberry family until 1893, when he learned that offensive statements were being made against him by a man named Wood, who had either stolen or found some letters written by Mr. Wilde to Lord Alfred Douglas. Wood offered to return these letters for money, and afterward, at Wood’s earnest entreaty, Mr. Wilde paid his fare to America. Later Mr. Wilde learned that two men named Knebly[sic] and Allen pretended to have in their possession compromising letters, but Mr. Wilde refused to purchase them. Mr. Wilde, he said, admitted having written in 1893 an extravagant letter to Lord Alfred Douglas in answer to a poem the latter had written. Despite the sentiments expressed in this letter, the jury must take into consideration the artistic circle in which Mr. Wilde moved. Mr. Wilde himself described the letter as a "prose sonnet." In 1893 the Marquis of Queensberry openly libeled Mr. Wilde in the latter's own house and was shown to the door in the presence of the servants and further admittance refused to him. The annoyance was aggravated by the behavior of the Marquis of Queensberry on the first night of the production of any of Mr. Wilde's plays.
Sir Edward, continuing, said that Mr. Wilde had been a close friend of the Queensberry family until 189O, when he learned that offensive statements were being made against him by a man named Wood, who had either stolen or found some letters written by Mr. Wilde to Lord Alfred Douglas. Wood offered to return these letters for money, and afterward, at Wood's earnest entreaty, Mr. Wilde paid his fare to America. Later Mr. Wilde learned that two men named Knebly and Allen pretended to have in their possession compromising letters, but Mr. Wilde refused to purchase them. Mr. Wilde, he said, admitted having written in 1893 a most extravagant letter to Lord Alfred Douglas in answer to a poem the latter had written. Despite the statements expressed in this letter the jury must take into consideration the artistic circle in which Mr. Wilde moved. Mr. Wilde himself described this letter as a "prose sonnet."
Sir Edward, continuing, said that Mr. Wilde had been a close friend of the Queensberry family until 189O, when he learned that offensive statements were being made against him by a man named Wood, who had either stolen or found some letters written by Mr. Wilde to Lord Alfred Douglas. Wood offered to return these letters for money, and afterwards, at Wood's earnest entreaty, Mr. Wilde paid his fare to America. Later, Mr. Wilde learned that two men named Knebly and Allen pretended to have in their possession compromising letters, but Mr. Wilde refused to purchase them. Mr. Wilde, he said, admitted having written in 1893 a most extravagant letter to Lord Douglas, in answer to a poem the latter had written. Despite the sentiments expressed in this letter, the jury must take into consideration the artistic circle in which Mr. Wilde moved. Mr. Wilde himself described this letter as a "prose sonnet."
Sir Edward, continuing, said that Mr. Wilde had been a close friend of the Queensberry family until 1893, when he learned of the offensive statements being made against him by a man named Wood, who had either stolen or found some letters written by Mr. Wilde to Lord Alfred Douglas. He offered to return these letters for money and afterwards, at Wood's earnest entreaty, Mr. Wilde paid his fare to America. Later Mr. Wilde learned that two men named Kneblin and Allen pretend to have in their possession compromising letters, but Mr. Wilde refused to purchase them. Mr Wilde, he said, admitted having written in 1893 a most extravagant letter to Lord Alfred Douglas in answer to a poem the latter had written. Despite the sentiments expressed in this letter the jury must take into consideration the artistic circle in which Mr. Wilde moved. Mr. Wilde himself described this letter as a "prose sonnet."
He said that Mr. Wilde had been a friend of the Queensberry family until 1890, when he learned that offensive statements were being made against him by a man named Wood, who had either stolen or found some letters written by Mr. Wilde to Lord Alfred Douglas. Wood offered to return these letters for money, and afterward, at Wood's earnest entreaty, Mr. Wilde paid his fare to America. Later, Air. Wilde learned that two men named Knebly and Allen pretended to have in their possession compromising letters, but Mr.- Wilde refused to purchase them. Mr. Wilde, he said, admitted having written in 1893 a most extravagant letter to Lord Alfred Douglas, in answer to a poem by the latter. Despite the sentiments expressed in this letter, the jury must take into consideration the artistic circle in which Mr. Wilde moved. Mr. Wilde himself described the letter as a "prose sonnet."
OSCAR'S LETTER.
The letter which Mr. Wilde had written to Lord Alfred Douglas was read, as follows:
The letter which Mr. Wilde had written to Lord Alfred Douglas was read as follows:
The letter which Mr. Wilde had written to Lord Alfred Douglas was read as follows:
The letter which Mr. Wilde had written to Lord Alfred Douglas was read, as follows:
The letter which Mr Wilde had written to Lord Alfred Douglas was read, as follows:
The letter which Mr Wilde had written to Lord Alfred Douglas was read, as follows:
The letter which Mr. Wilde had written to Lord Alfred Douglas was read, as follows:
The letter which Mr. Wilde had written to Lord Alfred Douglas was read, as follows:
The letter which Mr. Wilde had written to Lord Albert Douglas was read as follows:
The letter which Mr. Wilde had written to Lord Albert Douglas was read, as follows:
The letter which Mr. Wilde had written to Lord Alfred Douglass was read and is as follows:--
The letter which Mr. Wild had written to Lord Alfred Douglas was read, and is as follows:
"MY OWN BOY: Your sonnet is quite lovely. Your rose-leaf lips seem made no less for the music of song than for the madness of kisses. Your slim, gilt soul walks between poetry and passion. I know that Hyacinthus, who was loved by Apollo, was you in the Greek days. Why are you alone in London, and when do you go to Salisbury? Do you sleep in the gray twilight of Gothic things? Come here whenever you like, but go to Salisbury first."
"My dear boy: Your sonnet is quite lovely. Your rose-leaf lips seem made no less for the music of song than for the madness of kisses. Your slim, gilt soul walks between poetry and passion. I know that Hyacinthus, who was loved by Apollo, was you in the Greek days. Why are you alone in London, and when do you go to Salisbury? Do you sleep in the gray twilight of Gothic things? Come here whenever you like, but go to Salisbury first."
"MY DEAR BOY: Your sonnet is quite lovely. Your rose-leaf lips seem made no less for the music of song than for the madness of kisses. Your slim, gilt soul walks between poetry and passion. I know that Hyacinthus, who was loved by Apollo, was you in the Greek days. Why are you alone in London and when do you go to Salisbury? Do you sleep in the gray twilight of Gothic things? Come here whenever you like but go to Salisbury first."
My Dear Boy - Your sonnet is quite lovely. Your roseleaf lips seem made no less for the music of song than for the madness of kisses. Your slim, gilt soul walks between poetry and passion. I know that Hyacinthus, who was loved by Apollo, was you in the Greek days. Why are you alone in London, and when do you go to Salisbury? Do you sleep in the gray twilight of Gothic things? Come here whenever you like, but go to Salisbury first.
"My Dear Boy,- Your sonnet is quite lovely. Your rose-leaf lips seem made no less for the music of song than for the madness of kisses. Your slim, gilt soul walks between poetry and passion. I know that Hyacinthus, who was loved by Apollo, was you in the Greek days. Why are you alone in London, and when do you go to Salisbury? Do you sleep in the gray twilight of Gothic things? Come here whenever you like, but go to Salisbury first."
My Dear Boy, - Your sonnet is quite lovely. Your roseleaf lips seem made no less for the music of song than for the madness of kisses. Your slim, gilt soul walks between poetry and passion. I know that Hyacinthus, who was loved by Apollo, was you in the Greek days. Why are you alone in London and when do you go to Salisbury? Do you sleep in the gray twilight of Gothic things? Come here whenever you like, but go to Salisbury first.
My Dear Boy: Your sonnet is quite lovely. Your rose-leaf lips seem made no less for the music of song than for the madness of kisses. Your slim, gilt soul walks between poetry and passion. I know that Hyacinthus, who was loved by Apollo, was you in the Greek days. Why are you alone in London, and when do you go to Salisbury? Do you sleep in the gray twilight of Gothic things? Come here whenever you like, but go to Salisbury first.
"MY DEAR BOY Your sonnet is quite lovely. your roseleaf lips seem made no less for the music of song than for the madness of kisses. Your slim. gilt soul walks between poetry and passion. I know that Hyacinthus, who was loved by Apollo, was you in the Greek days. Why are you alone in London, and when do you go to Salisbury? Do you sleep in the gray twilight of Gothic things? Come where whenever you like, but go to Salisbury first."
"My dear boy - Your sonnet is quite lively. Your roseleaf lips seem made no less for the music of song than for the madness of kisses. Your slim, gilt soul walks between poetry and passion. I know that Hyacinthus, who was loved by Apollo, was you in the Greek days. Why are you alone in London, and when do you go to Salisbury? Do you sleep in the gray twilight of Gothic things? Come here whenever you like, but go to Salisbury first."
"My dear boy - Your sonnet is quite lively. Your roseleaf lips seem made no less for the music of song than for the madness of kisses. Your slim, gilt soul walks between poetry and passion. I know that Hyacinthus, who was loved by Apollo, was you in the Greek days. Why are you alone in London, and when do you go to Salisbury? Do you sleep in the gray twilight of Gothic things? Come here whenever you like, but go to Salisbury first."
"My Dear Boy: Your sonnet is quite lovely. Your roseleaf lips seem made no less for the music of song than for the madness of kisses. Your slim-gill soul walks between poetry and passion. I know that Hyacinthu, who was loved by Apollo, was you in the Greek days. Why are you alone in London and when do you go to Salisbury? Do you sleep in the gray twilight of Gothic things? Come here whenever you like, but go to Salisbury first."
Mr Dear Boy: Your sonnet is quite lovely. Your roseleaf lips seem made no less for the music of song than for the madness of kisses. Your slim, gilt soul walks between poetry and passion. I know that Hyacinthus, who was loved by Apollo, was like you in the Greek days. Why are you alone in London, and when do you go to Salisbury? Do you sleep in the gray twilight of Gothic things? Come here whenever you like, but go to Salisbury first.
"My dear boy: Your sonnet is quite lovely. Your roseleaf lips seem made no less for the music of song than for the madness of kisses. Your slim, gilt soul walks betweens poetry and passion. I know that Hyacinthus, who was loved by Apollo, was you in the Greek days. Why are you alone in London and when do you go to. Salisbury? Do you sleep fih the gray twilight of the Gothic things? Come here whenever you like, but go to Salisbury first."
"MY DEAR BOY: Your sonnet is quite lovely. Your rose-leaf lips seem made no less for the music of song than for the madness of kisses. Your slim, gilt soul walks between poetry and passion. I know that Hyacinthus, who loved Apollo, was you in the Greek days. Why are you alone in London, and when do you go to Salisbury? Do you sleep in the gray twilight of Gothic things? Come here whenever you like, but go to Salisbury first."
"My Dear Boy--Your sonnet is quite lovely. Your roseleaf lips seem made no less for the music of song than for the madness of kisses. Your slim, gilt soul walks between poetry and passion. I know that Hyacinthus, who was loved by Apollo, was you in the Greek days. Why are you alone in London and when you do you go to Swisburne? Do you sleep in the gray twilight of Gothic things? Come here whenever you like, but go to Salisbury first."
My Dear Boy: Your sonnet is quite lovely. Your rose-leaf lips seem made no less for the music of song than for the madness of kisses. Your slim, gilt soul walks betweens poetry and passion. I know that Hyacinthus, who was loved by Apollo, was you in the Greek days. Why are you alone in London and when do you go to. Salisbury? Do you sleep in the gray twilight of the Gothic things? Come here whenever you like, but go to Salisbury first. With undying love,
OSCAR.
The letter which Mr. Wilde has written Lord Albert Douglas was read and is as follows: — " My dear boy, your sonnet is quite lovely. Your rose leaf lips seem made no less for the music of song than for the madness of kisses. Your slim gilt soul walks between poetry and passion. I know that Hyacinthus, who was loved by Apollo, was you in the Greek days. Why are you alone in London and when do you go to Salisbury? Do you sleep in the gray twilight of gothic things? Come here whenever you like, but go to Salisbury first. "
My own dear boy-
Your sonnet is quite lovely and it is a marvel that those red roseleaf lips of yours should be made no less for the music of song than for the madness of kissing. Your slim gilt soul walks between passion and poetry. I know that Hyacinthus, whom Apollo loved so madly, was you in Greek days. Why are you alone in London and when do you go to Salisbury? Do go there and cool your hands in the grey twilight of Gothic things and come here whenever you like. It is a lovely place; it only lacks you, but to Salisbury first. Always with undying love, yours
Oscar.
My Own Boy, - Your sonnet is quite lovely, and it is a marvel that those red roseleaf lips of yours should be made no less for the madness of music and song than for the madness of kissing. Your slim gilt soul walks between passion and poetry. I know Hyacinthus who Apollo loved so madly was you in Greek days. Why are you alone in London, and when do you go to Salisbury? Do go there and cool your hands in the gray twilight of Gothic things. Come here whenever you like. It is a lovely place, and only lacks you. But go to Salisbury first. Always with undying love. - Yours,
OSCAR.
My Own Boy,—Your sonnet is quite lovely, and it is a marvel that those red-roseleaf lips of yours should be made no less for the madness of music and song than for the madness of kissing. Your slim-gilt soul walks between passion and poetry. I know Hyacinthus loved by Apollo was you in Greek days. Why are you alone in London, and when do you go to Salisbury? Do go there and cool your hands in the grey twilight of Gothic things. Come here whenever you like. It is a lovely place and only lacks you. But go to Salisbury first. Always with undying love.—Yours, Oscar.
My Own Boy,— Your sonnet is quite lovely, and it is a marvel that those red-roseleaf lips of yours should be made no less for the madness of music and song than for the madness of kissing. Your slim gilt soul walks between passion and poetry. I know Hyacinthus whom Apollo loved so madly was you in Greek days. Why are you alone in London, and when do you go to Salisbury? Do you go there and cool your hands in the gray twilight of Gothic things? Come here whenever you like. It is a lovely place, and only lacks you. But go to Salisbury first. Always with undying love.—Yours, OSCAR.
My own boy,—Your sonnet is quite lovely, and it is a marvel that those red roseleaf lips of yours should have been made no less for music of song than for madness of kisses. Your slim gilt soul walks between passion and poetry. I know Hyacinthus, whom Apollo loved so madly, was you in Greek days. Why are you alone in London, and when do you go to Salisbury? Do go there to cool your hands in the grey twilight of Gothic things, and come here whenever you like. It is a lovely place—it only lacks you; but go to Salisbury first.—Always with undying love, yours, Oscar."
My Own Boy,—Your sonnet is quite lovely, and it is a marvel that those red rose-leaf lips of yours should be made no less for the madness of music and song than for the madness of kissing. Your slim-built soul walks between passion and poetry. I know Hyacinthus, whom Apollo loved so madly, was you in Greek days. Why are you alone in London, and when do you go to Salisbury? Do go there and cool your hands in the grey twilight of Gothic things. Come here whenever you like. It is a lovely place, and only lacks you. But go to Salisbury first. Always with undying love.—Yours, Oscar.
My own boy, — Your sonnet is quite lovely, and it is a marvel that those red roseleaf lips of yours should have been made no less for music of song than for madness of kisses. Your slim gilt soul walks between passion and poetry. I know Hyacinthus, whom Apollo loved so madly, was you in Greek days. Why are you alone in London, and when do you go to Salisbury? Do go there to cool your hands in the grey twilight of Gothic things, and come here whenever you like. It is a lovely place — it only lacks you; but go to Salisbury first. — Always with undying love, yours, OSCAR."
MY OWN BOY—Your sonnet is quite lovely and it is a marvel that those red roseleaf lips of yours should be made no less for the madness of music and song than for the madness of kissing. Your slim-built soul walks between passion and poetry. I know Hyacinthus, whom Apollo loved so madly, was you in Greek days. Why are you alone in London, and when do you go to Salisbury? Do go there and cool your hands in the grey twilight of Gothic things. Come here whenever you like. It is a lovely place, and only lacks you. But go to Salisbury first. Always with undying love.—Yours, OSCAR.
My Own Boy—Your sonnet is quite lovely, and it is a marvel that those red roseleaf lips of yourself should be made no less for the madness of music and song than for the madness of kissing. Your slim-built soul walks between passion and poetry. I know Hyacinthus, whom Apollo loved so madly, was you in Greek days. Why are you alone in London, and when do you go to Salisbury? Do go there and cool your hands in the grey twilight of Gothic things. Come here whenever you like. It is a lovely place, and only lacks you. But go to Salisbury first. Always with undying love.—Yours, Oscar.
"My own Boy--Your sonnet is quite lovely, and it is a marvel that those red-roseleaf lips should be made no less for the madness of music and song than for the madness of kissing. Your slim-built soul walks between passion and poetry. No Hyacinthus followed Love so madly as you in Greek days. Why are you alone in London, and when do you go to Salisbury? Do go there and cool your hands in the gray twilight of Gothic-things. Come here whenever you like. It is a lovely place and only lacks you. But go to Salisbury first. Always with undying love, Yours, OSCAR."
My own dear boy — Your sonnet is quite lovely, and it is a marvel that those red roseleaf lips of yours should be made no less for music of song than for madness of kissing. Your slim-gilt soul walks between passion and poetry. I know Hyacinthus, whom Apollo loved so madly, was you in Greek days. Why are you alone in London, and when do you go to Salisbury? Do go there and cool your hands in the grey twilight of Gothic things, and come here whenever you like. It is a lovely place. It only lacks you. But go to Salisbury first. Always with undying love, yours, OSCAR.
My own dear boy — Your sonnet is quite lovely, and it is a marvel that those red roseleaf lips of yours should be made no less for music of song than for madness of kissing. Your slim-gilt soul walks between passion and poetry. I know Hyacinthus, whom Apollo loved so madly, was you in Greek days. Why are you alone in London, and when do you go to Salisbury? Do go there and cool your hands in the grey twilight of Gothic things, and come here whenever you like. It is a lovely place. It only lacks you. But go to Salisbury first. Always with undying love, yours, OSCAR.
"My own dear Boy,— Your sonnet is quite lovely, and it is a marvel that those red-rose lips of yours should be made no less for music of song than for the madness of kissing. Your slim-gilt soul walks between passion and poetry. I know Hyacinthus, whom Apollo loved so madly, was you in Greek days. Why are you alone in London? When do you go to Salisbury? Do go there and cool your hands in the grey twilight of Gothic things and come here whenever you like. It is a lovely place. It only lacks you; but go to Salisbury first—Always, with undying love, yours, OSCAR."
"My own Boy, - Your sonnet is quite lovely, and it is a marvel that those red-rose leaf lips of yours should be made no less for the madness of music and song than for the madness of kissing. Your slim-built soul walks between passion and poetry. No Hyacinthus followed Love so madly as you in Greek days. Why are you alone in London, and when do you go to Salisbury? Do go there and cool your hands in the gray twilight of Gothic things. Come here whenever you like. It is a lovely place and only lacks you. But go to Salisbury first. Always with undying love, Yours, Oscar."
My own boy,—Your sonnet is quite lovely, and it is a marvel that those red roseleaf lips of yours should be made no less for the madness of music and song than for the madness of kissing. Your slim-built soul walks between passion and poetry. No Hyacinthus followed love so madly as you in Greek days. Why are you alone in London, and when do you go to Salisbury? Do go there and cool your hands in the grey twilight of Gothic things. Come here whenever you like. It is a lovely place, and only lacks you. But go to Salisbury first. Always with undying love yours, Oscar.
"My Own boy,-Your sonnet is quite lovely, and it is a marvel that those red-roseleaf lips of yours should be made no less for the madness of music and song than for the madness of kissing. Your slim-built soul walks between passion and poetry. No Hyacinthus followed Love and so madly as you in Greek days. Why are you alone in London, and when do you go to Salisbury? Do go there and cool your hands in the grey twilight of Gothic things. Come here whenever you like. It is a lovely place and only lacks you. But go to Salisbury first. Always with undying love. -Yours, OSCAR."
The Marquis, Sir Edward Clarke said, now attacked Mr. Wilde respecting his "Dorian Grey" and his articles in the Chameleon, which, it is alleged, he published in the interests and for the furtherance of immoral practices.
The Marquis, Sir Edward Clarke said, now attacked Mr. Wilde respecting his "Dorian Grey" and his articles in the Chameleon, which it is alleged he published in the interests and for the furtherance of immoral practices.
The marquis, Sir Edward Clarke said, now attacked Mr. Wilde respecting his "Dorian Grey" and his articles in the Chameleon, which, it is alleged, he published in the interests and for the furtherence of immoral practices.
The marquis, Sir Edward Clarke said, now attacked Mr. Wilde respecting his "Dorian Grey" and his articles in the Chameleon, which it is alleged that he published in the interests and for the furtherance of immoral practices.
The marquis, Sir Edward Clarke said, now attacked Mr Wilde respecting his "Dorian Grey" and his articles in the Chameleon, which it is alleged that he published in the interests and for the furtherance of immoral practices.
The marquis, Sir Edward Clarke said, now attacked Mr Wilde respecting his " Dorian Grey," and his articles in the Chameleon, which it is alleged that he published in the interests and for the furtherance of immoral practices.
The Marquis, Sir Edward Clarke said, now attacked Mr. Wilde respecting his "Dorian Grey" and his articles in the Chameleon, which it is alleged that he published in the interests and for the furtherance of immoral practices.
The Marquis, Sir Edward Clarke said, now attacked Mr. Wilde respecting his "Dorian Grey," and his articles in the Chameleon, which, it is alleged, that he published in the interests and for the furtherance of immoral practices.
The marquis, sir Edward Elarke said, now attacked Mr. Wilde respecting his "Dorian Grey" and his articles in The Chameleon, which, it is alleged, that he published in the interests and for the furtherance of immoral practices.
The Marquis, Sir Edward Clarke said, now attacked Mr. Wilde respecting his "Dorian Grey," and his articles in the "Chameleon," which it is alleged that he published in the interests and for the furtherance of immoral practises.
The Marquis, Sir Edward Clarke said, now attacked Mr. Wilde respecting this "Dorian Gray" and his articles in the Chameleon, which it is alleged that he published in the interests and for the furtherance of immoral practices.
The marquis, Sir Edward Clarke said, now attacked Mr. Wilde respecting his "Dorian Grey," and his articles in the Chameleon, which, it is alleged, that he published in the interest, and for the furtherance of, immoral practises.
The Marquis, Sir Edward Clarke said, now attacked Mr. Wilde respecting his "Dorian Grey" and his articles in the Chameleon, which, it is alleged, he published in the interests and for the furtherance of immorality.
The Marquis, Sir Edward Clarke said, now attacked Mr. Wilde respecting his " Dorian Grey," and his articles in The Chameleon. Mr. Wilde was then called to the stand and detailed his relations with the family of the Marquis.
Oscar Wilde was then called and he languidly arose from the solicitor's table, at which he had been sitting, and entered the witness box. He was very pale, but was seemingly composed. Wilde spoke with his customary drawl, leaning his arms upon the rail of the witness box and replying distinctly to the questions addressed to him. The jury, which was composed of very intelligent men of elderly appearance, mainly prosperous tradesmen, eyed him with curiosity. The witness said that upon arriving at his house a few months ago he found two gentlemen waiting in the library. One of them was the Marquis of Queensberry and the other one was unknown to the plaintiff. The former said: "Sit down." I replied: "Lord Queensberry, I will not allow any one to talk that way in my house. I suppose you have come to apologize? Is it possible that you accuse your son and me of indecent offenses?" He replied: "I do not say it, but you look like it and appear like it."
Oscar Wilde was called. He languidly arose from the solicitors' table, where he was seated, and entered the witness box. The paintiff was faultlessly dressed in a black frock coat and carried gloves in his hand, showing fingers covered with rings. He was very pale, but seeminlgy composed. Wilde spoke with his customary drawl leaning his arms upon the rail of the witness box and replying distinctly to the questions. The jury, which was composed of very intelligent men of elderly appearance, mainly prosperous tradesmen, eyed him with curiosity. The witness said that upon arriving at his house a few months ago, he found two gentlemen waiting in the library. One was the Marquis of Queensberry, the other unknown to the plaintiff. The former said: "Sit down." I replied: "Lord Queensberry. I will not allow any one to talk that way in my house. I suppose you have come to apologize. It is possible you accuse me and your son of sodomy." He replied: "I don't say it, but you look like it and appear like it."
Oscar Wilde was then called, and he languidly arose from the solicitor's table, at which he had been seated, and entered the witness box. The plaintiff was faultlessly dressed, in a long, black frock coat, and carried his gloves in his hands, showing his fingers to be covered with rings. He was very pale, but was seemingly composed. Wilde spoke with his customary drawl, leaning his arms upon the rail of the witness box, and replying distinctly to the questions addressed to him. The jury, which was composed of very intelligent men of elderly appearance, mainly prosperous tradesmen, eyed him with curiosity. The witness said that upon arriving at his house a few moments ago he found two gentlemen awaiting in the library. One of them was the Marquis of Queensberry and the other one was unknown to the plaintiff. The former said: "Sit down," I replied. "Lord Queensberry, I will not allow any one to talk that way in my house. I suppose you have come to apologize. Is it possible that you accuse your son and me of crime?"
Wilde spoke with his customary drawl, leaning his arms upon the rail of the witness box, and replying distinctly to questions. The jury, which was composed of very intelligent men of elderly appearance, mainly prosperous tradesmen, eyed him with curiosity. Witness said that upon arriving at the house a few months ago he found two gentleman waiting in the library. One was the marquis of Queensberry, the other was unknown to the plaintiff. The former said, "Sit down." I replied, "Lord Queensberry, I will not allow anyone to talk that way in my house. I suppose you have come to apologize. Is it possible that you accuse me and your son of sodomy?"
BIG OFFER FOR A LETTER.
Counsel for the plaintiff then asked the witness about the man to whom he had given £20 with which to pay his passage to America. Witness said: "The man told me he had been offered £60 for the letter, and I advised him to immediately accept it. But finally I gave him the money in order to relieve his distress, and he gave me the letter."
Counsel for the plaintiff then asked the witness about the man to whom he had given £20 with which to pay his passage to America. Witness said: "The man told me he had been offered £60 for the letter, and I advised him to immediately accept it. But finally I gave him the money in order to relieve his distress, and he gave me the letter."
Counsel for the plaintiff then asked the witness about the man to whom he had given £20 with which to pay his passage to America. Witness said: "The man told me he had been offered £60 for the letter, and I advised him to immediately accept it. But finally I gave him the money, in order to relieve his distress, and he gave me the letter."
Counsel for the plaintiff then asked him, the witness, about the man to whom he had given £20 with which to pay his passage to America. Witness said: "The man told me he had been offered £60 for the letter and I ad-vised him to immediately accept it. But, finally I gave him the money in order to re-lieve his distress and he gave me the letter."
The counsel for the plaintiff then asked the witness about the man to whom he had given £20 with which to pay his passage to America. The witness said: "The man told me he had been offered £50 for a letter, and I advised him to immediately accept it. But I finally gave him the money in order to relieve his distress, and he gave me the letter."
Counsel for plaintiff then asked the witness about the man to whom he gave £20 with which to pay his passage to America. The witness said: "The man told me he had been offered £60 for the letter, and I advised him to immediately accept it; but I finally gave him the money in order to relieve his distress, and he gave me the letter."
The counsel for the plaintiff then asked the witness about the man to whom he had given £20 with which to pay his passage to America. The witness said, "The man told me he had been offered £60 for a letter, and I advised him to immediately accept it. But I finally gave him money in order to relieve his distress, and he gave me the letter."
Counsel for the plaintiff then asked the witness about the man to whom he had given £20 with which to pay his passage to America. The witness said: "The man told me had been offered £60 for a letter and I advised him immediately to accept it. But I finally gave him the money in order to relieve his distress, and he gave me the letter."
The counsel for plaintiff then asked the witness about the man to whom he had given £20 with which to pay his passage to America. The witness said: "The man told me he had been offered £60 for a letter, and I advised him to immediately accept it. But I finally gave him money in order to relieve his distress, and he gave me the letter."
The counsel for plaintiff then asked the witness about the man to whom he had given £20 with which to pay his passage to America. The witness said, "The man told me he had been offered £60 for a letter, and I advised him to immediately accept it. But I finally gave him money in order to relieve his distress, and he gave me the letter."
Counsel for plaintiff then […] the witness about the man to whom he gave £20 with which to pay his passage to America. The witness said: “The man told me he had been offered £60 for the letter, and I advised him to immediately accept it, but I finally gave him the money in order to relieve his distress, and he gave me the letter.”
Counsel for plaintiff asked the witness about a man to whom he had given £20 with which to pay his passage to America. The witness said, "The man told me he had been offered £60 for a letter, and I advised him immediately to accept it. But finally I gave him money in order to relieve his distress, and he gave me the letter."
Counsel for plaintiff then asked witness about the man to whom he had given 20 pound with which to pay his passage to America. Witness said: "The man told me he had been offered 60 pounds for the letter and I finally gave him money in order to relieve his distress and he gave me the letter."
Counsel for the plaintiff then asked the witness about the man to whom he had given £20 with which to pay his passage to America. Witness said: "The man told me he had been offered £60 for a letter, and I advised him to immediately accept it. But finally, I gave him the money in order to relieve his distress, and he gave me the letter." The document referred to was here produced in court and was handed to Justice Collins. It read thus:
Witness said: "The man told me he had been offered £60 for the letter, and I advised him to immediately accept it. But finally I gave him the money in order to relieve his distress, and he gave me the letter."
Mr. Wilde stated the man named Allen brought to him a copy of one of these letters, which had been sent to Mr. Beerbohm Tree. Allen demanded £60 for the letter. Mr. Wilde laughed at him and refused to pay the money, saying he had never received as much as £60 for his own short prose writings. He told Allen he had better sell the letter to somebody else. Subsequently he gave Allen a half sovereign for himself. Mr. Tree had handed him (Wilde) what purported to be a copy of a letter written by Mr. Wilde. Reverting to the visit of Lord Queensberry to his house, the plaintiff said he replied to the Marquis: "'I don't know the Queensberry rules, but the Oscar Wilde rules are short and at sight. The letters you have written about me are infamous. You are trying to ruin your son through me.' Then, when we were in the hall I said to a servant: 'This is the Marquis of Queensberry, the most infamous brute in London. Do not let him enter the house again.'"
Mr. Wilde was then called to the stand and detailed his relations with the family of the Marquis. He testified that Wood produced three letters, which were of no importance. Afterward, in response to a strong appeal from Wood, he gave £15 to him with which to go to America. Later Allen brought to him a copy of one of these letters, which had been sent Mr. Beerbohm Tree. Allen demanded £60 for the letter. Mr. Wilde laughed at him and refused to pay the money, saying he had never received as much as £60 for his own short prose writings. He told Allen he had better sell the letter to somebody else. Mr. Tree had handed to him what purported to be a copy of a letter written by Mr. Wilde. When the Marquis of Queensberry called at his house in 1893 Mr. Wilde asked him whether he had come to apologize, but Queensberry, instead of apologizing, reiterated his charges, saying: "If I ever catch you with my son again I will thrash you." Mr. Wilde replied to the Marquis: "I don't know the Queensberry rules, but the Oscar Wilde rules are short and at sight . The letters you have written about me are infamous. You are trying to ruin your son through me." Then[sic] when they were in the hall he said to a servant: "This is the Marquis of Queensberry, the most infamous brute in London. Do not let him enter the house again."
UNDER CROSS-EXAMINATION.
Interest in the case was heightened when Sir Edward Clarke, upon finishing the direct examination of his client, turned the latter over to E. H. Carson, Q. C., M. P., counsel for the Marquis of Queensberry, for cross-examination. Mr. Carson began the presentation of the case for the Marquis by reading passages from "Dorian Gray," one of Oscar Wilde's novels of modern life, to show that the author had peculiar ideas, the plaintiff following counsel with a copy of the book and laughing at Mr. Carson's insinuation. Mr Carson, addressing the plaintiff, asked, "Do you think the description of Dorian Grey, given on page 6, is a moral one?"
Interest in the case has heightened when Sir Edward Clarke, upon finishing the direct examination of his client, turned the latter over to Mr. E. H. Carson, Q. C., M. P., counsel for the Marquis of Queensberry, for cross-examination. Mr. Carson began the presentation of the case for the Marquis by reading passages from "Dorian Gray," one of Oscar Wilde’s novels of modern life, to show that the author upheld an unnameable crime, the plaintiff following counsel with a copy of the book, and laughing at Mr. Carson’s insinuation. Mr. Carson, addressing the plaintiff, asked: "Do you think that the description of ‘Dorian Gray,' given on page 6 is a moral one?"'
Interest in the case was heightened when Sir Alfred Clarke, upon finishing the direct examination of his client, turned the letter over to Mr. E. H. Carson, Q. C., M., P., counsel for the Marquis of Queensberry, for cross-examination. Mr. Carson began the presentation of the case for the Marquis by reading passages from "Dorian Gray," one of Oscar Wilde's novels of modern life, to show that the author upheld sodomy, the plaintiff following counsel with a copy of the book and laughing at Mr. Carson's insinuation. Mr. Carson, addressing the plaintiff, asked: "Do you think that the description of 'Dorian Gray' given on page 6, is a moral one?"
Interest in the case was heightened when Sir Edward Clarke, upon finishing the direct examination of his client, turned the latter ober to Mr. E. H. Carson, C. C., M. P., counsel for the Marquis of Queensberry, for cross-examination. Mr. Carson began the presentation of the case of the marquis by reading passages from "Dorian Gray," one of Oscar Wilde’s novels of modern life, to show that the author upheld certain crimes. The plain-tiff followed counsel with a copy of the book, and, laughing at Mr. Carson’s insinuation, Mr. Carson, addressing the plaintiff, asked:
Interest in the case was heightened when Sir Edward Clarke, upon finishing the direct examination of his client, turned the letter over to E. H. Carson, Q. C, M. P., counsel for the Marquis of Queensberry, for cross examination. Mr. Carson began the presentation of the case for the marquis by reading passages from "Dorian Gray," one of Oscar Wilde's novels of modern life, to show the character of the author, the plaintiff following counsel with a copy of the book, and laughing at Mr. Carson's insinuation. Mr. Carson, addressing the plaintiff, asked:
Interest in the case was heightened when Sir Edward Clarke, upon finishing the direct examination of his client, turned the latter over to E. H. Carson, Q. C., M. P., counsel for the Marquis of Queensberry for examination. Mr. Carson began the presentation of the case for the Marquis by reading passages from "Dorian Gray," one of Oscar Wilde's novels of modern life, to show that the author upheld certain forms of immorality, the plaintiff following the counsel with a copy of the book and laughing at Mr. Carson's insinuation.
Interest in the case was increased when Sir Edward Clarke, upon finishing the direct examination, turned the witness over to E. H. Carson, Q.C., M.P., counsel for the Marquis of Queensberry, for cross-examination. Carson began the presentation of the case for the Marquis by reading passages from "Dorian Gray," one of Oscar Wilde's novels of modern life, to show that the author upheld all that he had been accused of, the plaintiff following the counsel with a copy of the book, and laughing at Carson's insinuations.
Interest in the case was heightened when Sir Edward Clarke, upon finishing the direct examination of his client, turned the latter over to E. H. Carson, Q. C., M. P., counsel for the Marquis of Queensberry, for cross-examination. Mr. Carson began the presentation of the case for the Marquis by reading passages from "Dorian Gray," one of Oscar Wilde's novels of modern life. The plaintiff followed counsel with a copy of the book.
Interest in the case was increased when Sir Edward Clarke, upon finishing his direct examination, turned the witness over to E. H. Carson, Q. C., M. P., for cross-examination. Carson began the presentation of his case for the marquis by reading a passage from "Dorian Gray," one of Oscar Wilde's novels on modern life, to show that the author upheld sodomy, the plaintiff following counsel with a copy of the book and laughing at Carson's insinuation.
"Yes," replied Wilde, "just what an artist would notice in a beautiful personality."
"Did you ever adore madly, as described in
'Dorian Gray,' any person of the male sex younger than yourself?" was Mr. Carson's
next question.
In reply Wilde said: "I took the idea from
Shakespeare's sonnets."
"Yes," replied Wilde, "just what an artist would notice in a beautiful personality."
"Did you ever adore madly, as described in 'Dorian Gray' any person of the male sex, younger than yourself?" was Mr. Carson's next question.
In reply, Wilde said: "I took the idea from Shakespeare's sonnets."
"Do you think that the description of 'Dorian Gray,' given on page 6 is, a moral one?"
"Yes," replied Wilde, "just what an artist would notice in a beautiful personality."
"Did you ever adore, madly, as described in 'Dorian Gray,' any person of the male sex younger than yourself?" was Mr. Carson's next question.
In reply Wilde said:
"I took the idea from Shakespeare's sonnets."
"Do you think that the description of Dorian Gray, given on page 6, is a moral one?"
"Yes," replied Wilde, "just what an artist would notice in a beautiful personality."
"Did you ever adore madly, as described in ‘Dorian Gray,' any person of the male sex younger than yourself?" was Mr. Carson’s next question.
In reply Wilde said, "I took the idea from Shakespeare’s sonnets."
"Do you think that the description of "Dorian Gray," given on page 6, is a moral one?"
' Yes," replied Wilde, "Just what an artist would notice in a beautiful personality."
"Did you ever adore madly, as described in 'Dorian Gray,' any person of the male sex younger than yourself?" was Mr. Carson's next question.
In reply Wide said: "I took the idea from Shakespeare's sonnets."
"Yes," replied Wilde, "just what an artist would notice in a beautiful personality."
"Did you ever adore madly, as described in Dorian Gray, any person of the male sex younger than yourself?" was the next question.
Mr. Carson, addressing the plaintiff, asked: "Do you think that the description of "Dorian Gray," given on page 6, is a moral one?"
"Yes," replied Wilde, "just what an artist would notice in a beautiful personality."
"Did you every adore madly, as described in 'Dorian Gray,' any person of the male sex younger than yourself?" was Mr. Carson's next question.
In reply Wilde said: "I took the idea from Shakespeare's sonnets."
Carson, addressing plaintiff, asked, "Do you think the description of Dorian Gray, given on page 6, is a moral one?"
"Yes," replied Wilde. "Just what an artist would notice in a beautiful personality."
"Did you ever adore madly, as described in Dorian Gray, any person of the male sex younger than yourself?" was the next question.
"In reply Wilde said: "I took the idea from Shakespeare's sonnets."
Mr. Carson, addressed the plaintiff, asking: "Do you think the description of 'Dorian Gray' given on page 6 is a moral one?"
"Yes;" replied Wilde, "just what an artist would notice in a beautiful personality."
"Did you adore madly, as described in Dorian Gray, any person of the male sex younger than yourself?" was Mr. Carson's next question.
In reply, Mr. Wilde said: "I took the idea from Shakespeare's sonnets."
Carson, addressing the plaintiff, asked: "Do you think the description of Dorian Gray, given on page 6, is a moral one?"
"Yes," replied Wilde. "Just what an artist would notice in a beautiful personality."
"Did you ever adore as madly as described in 'Dorian Gray' any person of the male sex younger than yourself?" was the next question.
In reply Wilde said: "I took the idea from Shakespeare's sonnets."
Carson, addressing the plaintiff, asked: "Do you think that the description of "Dorian Gray," given on page 6, is a moral one?"
"Yes," replied Wilde; "just what an artist would notice in a beautiful personality."
"Did you ever adore madly, as described in 'Dorian Gray,' any person of the male sex younger than yourself?" was the next question.
In reply, Wilde said: "I took the idea from Shakespeare's sonnets."
Mr. Carson addressed the plaintiff asking: "Do you think that the description of 'Dorian Gray' given on page 6 is a moral one?"
"Yes," replied Wilde; "Just what an artist would notice in a beautiful personality."
"Did you adore madly, as described in 'Dorian Gray', any person of a male sex younger than yourself?" was Mr. Carson's next question.
In reply Mr. Wilde said: "I took the idea from Shakespeare's sonnets."
"as described in 'Dorian Gray,' any person of the male sex younger than yourself?" was Mr. Carson's next question.
In reply Wilde said: "I took the idea from Shakespeare's sonnets."
He next testified to the fact that the man to whom he gave 20 pounds on receipt of the letter of Lord Alfred Douglas, which amount was used to pay his passage to America, was named Wood.
Wilde testified to the fact that the man to whom he gave the £20 on receipt of the letter in which he had referred to the "Rose Red Lips" of Lord Alfred Douglas, which amount was used to pay his passage to America, was named Wood.
Wilde testified to the fact that the man to whom he gave £20, on receipt of the letter in which he had referred to the "rose red lips" of Lord Douglass, which amount was used to pay his passage to America, was named Wood.
Wilde testified that the man to whom he gave £20 on receipt of the letter in which he referred to the “rose-red lips” of Lord Douglass, which amount was used to pay his passage to America, was named Wood.
Wilde testified that the man to whom he gave £20, on receipt of the letter, in which he referred to the "rose-red lips" of Lord Douglass, which amount was used to pay his passage to America, was named Wood.
Wilde testified that the man to whom he gave £20 on receipt of the letter in which he referred to the "rose-red lips" of Lord Douglass, which amount was used to pay his passage to America, was named Wood.
Replying to other questions put to him by Mr. Carson, Wilde said that the letter to Lord Alfred was "merely poetical," and, he added, that he had "undying love" for Lord Alfred, who, he claimed, was his best friend. The witness denied having misconducted himself with Wood. The latter, he added, was introduced to him by Lord Alfred Douglass, who asked him to befriend the man. Wilde and Wood, it was also shown by the cross-examination, addressed each other by their Christian names.
Replying to other questions put to him by Mr. Carson, Wilde said that the letter to Lord Alfred was "merely poetical" and he added that he had "undying love" for Lord Alfred, who, he claimed, was his best friend. The witness denied having misconducted himself with Wood. The latter, he added, was introduced to him by Lord Alfred Douglas, who asked him to befriend the man. Wilde and Wood, it was also shown by the cross-examination, addressed each other by their Christian names.
Replying to other questions put to him by Mr. Carson, Wilde said that the letter to Lord Alfred was "merely poetical" and he added that he had "undying love" for Lord Alfred, who, he claimed, was his best friend. The witness denied having misconducted himself with Wood. The latter, he added, was introduced to him, the witness, by Lord Alfred Douglas, who asked him to befriend the man. Wilde and Wood, it was also shown by the cross-examination, addressed each other by their Christian names.
Replying to questions by Mr. Carson, Wilde said the letter to Lord Alfred was merely "poetical." and he added he had "undying love" for Lord Alfred, who he claimed was his best friend. Witness denied having misconducted himself with Wood. Later, he added, he was introduced to him by Lord Alfred, who asked him to befriend a man. Wilde and Wood, it was shown also by cross-examination, addressed each other by their Christian names.
Later Wilde testified to the fact that the man to whom he gave £20, on receipt of the letter, in which he had referred to the "rosered lips" of Lord Alfred Douglas, was named Wood. Replying to other questions put to him by Mr. Carson, Wilde said that the letter to Lord Alfred was "merely poetical," and he added that he had "undying love" for Lord Alfred, who, he claimed, was his best friend. The witness denied having misconducted himself with Wood. The latter, he added, ws introduced to him, the witness, by Lord Alfred Douglas, who asked him to befriend the man. Wilde and Wood, it was also shown by the cross examination, addressed each other by their Christian names.
Replying to questions by Mr. Carson, Wilde said the letter to Lord Alfred was merely “poetical,” and he added that he had an “undying love” for Lord Alfred, who, he claimed, was his best friend. Witness denied having misconducted himself with Wood. The latter, he added, was introduced to himself by Lord Alfred, who asked him to befriend the man.
Replying to questions by Mr. Carson, Wilde said the letter to Lord Alfred was merely "poetical," and he added that he had an "undying love" for Lord Alfred, who, he claimed, was his best friend. Witness denied having misconducted himself with Wood. The latter, he added, was introduced to himself by Lord Alfred, who asked him to befriend the man.
Wilde testified to the fact that the man to whom he gave £20 on the receipt of the letter in which he had referred to the "rose red lips" of Lord Alfred Douglass, which amount was used to pay his passage to America, was named Wood. Replying to other questions by Mr. Carson, Wilde said that the letter to Lord Alfred was "merely poetical," and he added that he had "undying love" for Lord Alfred, who, he claimed, was his best friend. The witness denied having misconducted himself with Wood. The latter, he added, was introduced to him by Lord Alfred Douglass, who asked him to befriend the man. Wilde and Wood, it was also shown by the cross-examination, addressed each other by their Christian names.
OSCAR MAKES SOME DENIALS.
Mr. Wilde said it was absolutely untrue that he had taken rooms for Lord Alfred Douglas, or that he had stopped with him at the Savoy Hotel. He had no connection with the Chameleon and strongly disapproved of the article entitled "Priest and Acolyte," which had been published therein. As regarded "Dorian Grey" Mr. Wilde said it had first appeared as a serial in Lippincott's Magazine, but had been altered when published in book form. Mr. Wilde admitted that he had stayed with Lord Alfred Douglas, Mr. Cromer and Mr. Worthing at various hotels in London. He was aware that Lord Alfred had written various articles in the Chameleon. One of them, entitled "Two Loves," he did not regard as improper, though the "Loves" were boys. He regarded portions of "Priest and Acolyte" as disgusting, but did not think it blasphemous. He knew that the Chameleon had a circulation among the students of Oxford. Referring to his publication "Philosophy for the Young," Mr. Carson asked Mr. Wilde if he believed what he had written. Mr. Wilde answered: "I rarely write what I believe is true." Continuing, Mr. Wilde said he believed that the realization of self was the primal end of life. He said that the man Allen, when endeavouring to obtain money for the copy of the letter in his possession, had remarked that it might bear a curious meaning. To this Mr. Wilde testified that he replied: "Art is rarely intelligible to the criminal classes." Pressed to say whether the articles in the Chameleon were not immoral, Mr. Wilde replied: "They were worse; they were badly written."
CARES NOTHING FOR THE PHILISTINES.
Cross-examination was very severe, and brought out the great difference in the ages of Oscar Wilde and Lord Alfred Douglas (the former was born in 1856 and the latter in 1870), how the two had visited various together, stopped at the Savoy hotel together, and how Lord Alfred visited Wilde's chambers in St. James' Place, which the plaintiff maintains in addition to his house at No. 16 Tite street, S. W. Mr. Carson then drew out Wilde's opinions regarding literature in general, to which line of cross-examination the plaintiff made many smart responses in the same line as in his plays.
The cross-examination was very severe, and brought out the great differences in the ages of Oscar Wilde and Lord Alfred Douglas (the former born in 1856 and the latter in 1870), how the two had visited various towns together, stopped at the Savoy Hotel together, and how Lord Alfred visited Wilde's chambers in St. James Place, which the plaintiff maintains in addition to his house at No. 10 Tite street S. W. Mr. Carson then drew out Wilde's opinions regarding literature in general, to which line of cross-examination the plaintiff made many smart responses in the same line as in his plays.
The cross examination was very severe and brought out the great differences in the ages of Oscar Wilde and Lord Alfred Douglas (the former was born in 1856 and the latter in 1870); how the two had visited various towns together, stopped at the Savoy hotel together, and how Lord Alfred visited Wilde’s cham-bers in St. James place, which the plaintiff maintains in addition to his house at 16 Tite street, S. W. Mr. Carson then drew out Wilde’s opinions regarding literature in genneral, to which line of cross examination the plaintiff made many smart responses in the same line as in his plays.
Cross-examination was very severe, and brought out the great difference in the ages of Wilde and Lord Alfred Douglass (the former was born in 1856 and the latter in 1870), how the two had visited various towns together, stopped at the Savoy hotel together, and how Lord Alfred visited Wilde's chambers in St James Place, which the plaintiff maintains in addition to his house at No. 16 Tite street. Mr. Carson then drew out Wilde's opinions regarding literature in general, to which line of cross-examination the plaintiff made many smart responses in the same line as in his plays.
The cross-examination was very severe and brought out the great differences in the ages of Oscar Wilde and Lord Alfred Douglas — the former was born in 1856, and the latter in 1879 — how the two had visited various towns together, stopped at the Savoy Hotel together, and how Lord Alfred visited Wilde’s chambers in St. James place, which the plaintiff maintains, in addition to his house at 16 Tite Street, S. W. Mr. Carson drew out Wilde’s opinions regarding literature in general, to which line of cross-examination the plaintiff made many smart responses in the same line as in his plays.
The cross examination was very severe, and brought out the differences in the ages of Oscar Wilde and Lord Alfred Douglas (the former was born in 1856 and the latter in 1870), how the two visited various towns together, stopping at the same hotels together, and how Lord Alfred visited Wilde's chambers in St. James, which the plaintiff maintained in addition to his house at 16 Tite street, S. W. Mr. Carson then drew out Wilde's opinions regarding literature in general, to which line of cross-examination the plaintiff made many smart answers, in the same line as in his plays.
was very severe, and brought out the great difference in the ages of Lord Alfred Douglass and Oscar Wilde (the former was born in 1870 and the latter in 1856), how the two had visited various towns together, stopped at the Savoy hotel together, and how Lord Alfred visited Wilde's chambers in St James Place, which the plaintiff maintains in addition to his house at No. 16 Tite street southwest. Mr. Carson then drew out Wilde's opinions regarding literature in general, to which line of cross-examination the plaintiff made many smart responses in the same line as in his plays.
The cross-examination was very severe, and brought out the great difference in the ages of Oscar Wilde and Lord Alfred Douglas (the former was born in 1856 and the latter in 1870), how the two had visited various towns together, stopped at the Savoy Hotel together, and how Lord Alfred visited Wilde's chambers in St. James's place, which the plaintiff maintains in addition to his house at 16 Tite street, S.W.
The cross-examination was very severe and brought out the differences in ages of Oscar Wilde and Lord Alfred Douglass (the former was born in 1856 and the latter in 1870), how the two visited various towns together, stopped at the same hotels together and how Lord Alfred visited Wilde's chambers in St. James place, which the plaintiff maintained in addition to his house at No. 16 Tite street, S. W.
"The interpretation of my works does not concern me," said Wilde. "I do not care tuppence for what the Philistines think about me." But Mr. Carson severely repressed the levity of the witness, and began the more serious phase of the cross-examination.
Wilde denied that he had done anything improper, but he was troubled and confused under the terrible cross-examination to which he was subjected, and frequently drank water. In fact, he seemed ready to faint, and a chair was placed inside the witness stand for his use. Throughout the questioning of the plaintiff the Marquis of Queensberry stood facing him, and did not take his eyes off the man in the witness box. The cross-examination of Wilde was not finished when the court adjourned for the day at 5 p.m. A large crowd of people assembled about the Old Bailey, in order to see Wilde leave the court.
The cross-examination then touched upon Wilde's relations with several boys and men, and the questions put to the witness were so pointed as to be unprintable. Wilde, however, emphatically denied that he had done anything improper; but he was troubled and confused under the terrible cross-examination to which he was subjected, and frequently drank water. In fact, he seemed ready to faint, and a chair was placed inside the witness stand for his use. Throughout the questioning of the plaintiff the Marquis of Queensberry stood facing him, and did not take his eyes off the man in the witness box. The cross-examination of Wilde was not finished when the court adjourned for the day at 5 p.m. A large crowd of people assembled about the Old Bailey in order to see Wilde deave the court.
Wilde, however, emphatically denied that he had done anything improper, but he was troubled and confused under the terrible cross-examination to which he was subjected and frequently drank water. In fact, he seemed ready to faint and a chair was placed inside the witness stand for his use. Throughout the questioning of the plaintiff the Marquis of Queensberry stood facing him and did not take his eyes off the man in the witness box.
Wilde, however, emphatically denied that he had done anything improper, but he was troubled and confused under the terrible cross-examination to which he was subjected, and frequently drank water. In fact, he seemed ready to faint, and a chair was placed inside the witness stand for his use. Throughout the questioning the Marquis of Queensberry stood facing him, and did not take his eyes of the man in the witness box.
Wilde emphatically denied that he had done anything improper but he was troubled and confused under the terrible cross examination he was subjected to and frequently drank water. In face, he semed ready to faint and a chair was placed inside the wit-ness stand for his use. Throughout the questioning of the plaintiff, the Marquis of Queensberry stood facing him and did not take his eyes off of him.